Vintage vinyl records for sale11/27/2023 ![]() There’s a backlog of orders for those, too.Įxotic problems pop up that would never interfere with a release on YouTube or SoundCloud. New machines came along only in recent years, and can cost up to $300,000 each. The business relies on an aging infrastructure of pressing machines, most of which date to the 1970s or earlier and can be costly to maintain. ![]() Consumption of vinyl LPs has grown much faster than the industry’s ability to make records. 19 - and is sure to be a blockbuster on LP - said her release date had been set six months ago to get vinyl and CDs made in time.īut the bigger issue may be simple supply and demand. In an interview this month with BBC Radio, Adele, whose album “30” is due Nov. John Brien of Important Records, which releases work by contemporary composers, recently declared online that “ vinyl is dead,” but clarified in an interview that the format is too essential to abandon. Thrill Jockey, a Chicago label for indie-rock connoisseurs, wants to celebrate its 30th anniversary next year with a series of reissues, but its founder, Bettina Richards, said she has no idea which titles can be made in time. Doing so will cost Joyful Noise money and time - Hofstetter groaned as we calculated that eight records with five minutes of music per side, cut 500 times each, would take 666 hours of lathe work - but the label sees it as a necessary investment. The label’s solution is to make lathe-cut singles for each of the eight albums it intends to release next year, as placeholder bonuses while its customers wait. “How do we in good conscience sell this for next year,” Hofstetter said, “if we don’t know when these records will show up?” But the production holdups mean the label cannot predict which titles will be ready during 2022. customers pay the label $200 a year for special editions of every LP it makes. After growing steadily for more than a decade, LP sales exploded during the pandemic.įor Joyful Noise, the vinyl crunch has also presented a puzzling problem. ![]() Left for dead with the advent of CDs in the 1980s, vinyl records are now the music industry’s most popular and highest-grossing physical format, with fans choosing it for collectibility, sound quality or simply the tactile experience of music in an age of digital ephemerality. This ancient technology - scuffed and dinged, the lathe looks like something from a World War II submarine - is a key part of Joyful Noise’s strategy to survive the very surge of vinyl popularity the label has helped fuel. “If a song is three minutes long, it takes three minutes to make every one.” “It’s incredibly laborious,” said Karl Hofstetter, the label’s founder. Unlike most standard records, which are pressed by the hundreds or thousands, each lathe-cut disc must be created individually. There sits a Presto 6N record lathe - a 1940s-vintage machine the size of a microwave that makes records by cutting a groove into a blank vinyl platter. Within the Indianapolis office of Joyful Noise Recordings, a specialty label that caters to vinyl-loving fans of underground rock, is a corner that employees call the “lathe cave.”
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